top of page

EDUCATION

​

MA Contemporary Art Theory (Ongoing)
Department of Visual Cultures, Goldsmiths, University of London

​

Postgraduate Diploma in Art Writing
Glasgow School of Art (2013–2014)

​

BA (Hons) Art History
Department of Visual Cultures, Goldsmiths, University of London (2016–2019)

​

Foundation Diploma in Art & Design
Central Saint Martins (2013–2016)

​

​

​

SELECTED RESEARCH-LED PERFORMANCE & PRACTICE

​

MOUTH MUSICS — Ongoing


Long-term research project exploring voice, breath, melody, resonance, and speculative folk practices exploring singing into reverberant spaces.

​

Improvised Performance with Hysterical Chorus


1. IMPACT: Improvisation and Creativity and Research-Based Education in Performing Arts, Lithuanian Academy of Music and Theatre, Vilnius, Lithuania (2025)


2.Swedenborg House, London (2025)

​

‘SINGING INTO’ Becoming Element: ‘dirt-eater-echo’ — Radio work
Radiophrenia, broadcast for Soft Shell (2024)

​

SINGING INTO — Radio work
FREQUENCY, with Susan Philips and students of Dresden and Glasgow School of Art, Glasgow International (2024)

​

Earlands: Singing Histories and Hallucinations
Soft Shell at The Poetry Club, Glasgow (2023)

 

WORKSHOPS, TALKS & FACILITATION

​

​

‘SINGING INTO’ — Eco Resonance Walks
Workshop series, Karmina Art House, Gran Canaria (2026)

​

Writing with Voices: As Shapes and as Patterns
Workshop series commissioned by The Feminist Library, London (2025–ongoing)

​

Performance as Research — Roundtable
With Dr Sharron Young and Dr Jean Beers, IMPACT, Lithuanian Academy of Music and Theatre, Vilnius (2025)

​

Critters in Opera: Voicing the Non-Human in Psychoanalytic Atmospherics
, University of Essex (2025)

​

REFUSE: Biological Reverberations, Stench and Breath
Talk on the transmission of affect in vocal performance, University of Essex (2025)

​

PRIMAL HUMM: Animal Improvisation Network
Workshop series, Lewisham Arthouse (Aug–Dec 2025); Listen Gallery, Glasgow (July 2025)

​

“The Animal That Prays in the Night-time” — Expanded Writing for Performance
Workshops at We Are Many Festival, Turin (2025); The Girlie Show, Saltspace Gallery, Glasgow (2025)

​

Presenting ‘Mad Studies’ and the Psycho-Somatic Effects of Protest
Lecture and seminar, Art & Activism: Future Skills, Glasgow School of Art (2025)

​

VOC-MYRI / Datum Poetics
Lecture series with Aly Gear. Glasgow School of Art (2024)

​

VOC-MYRI: Sing-Along Lecture
Lecture at Glasgow School of Art (2024)

​

Performing Voices: Scrying and Movement Practices
Workshops at Glasgow School of Art and Glasgow Women’s Library (2024)

​

Earland — Vocal Weekend
Psycho-somatic workshop series, Listen Gallery, Glasgow (2024)

​

VOC-MYR: Histories and Hallucinations
Performance,  Leipzig University (2024)

​

Storytime with Lu — World-Building and Speculative Fiction
Workshop, Supernormal Festival (2022)

 

WRITING & ARTIST PUBLICATIONS

​

Artist Publications

​

  • Writing with Voices: As Shapes and As Patterns

  • Primal Humm: Instruction Manual

  • Primal Humm, Vol. 11

  • Voice Book

  • Weaveraskin

  • The Animal That Prays in the Night Under the Shadow of the Hills

 

Writing Commissions

​

Performance as Research — Collaborative essay with Dr Sharron Young and Jean Beers, IMPACT (2025)

​

On the Sick Road — Creative response to Lilly Lavarato’s exhibition, Embassy Gallery (2025)

 

Mother Clyde — Creative response to Greer Pester’s exhibition, Outer Spaces (2025)

bottom of page